Fanfare 10.09.2019 Previously, I have spoken of the “musical plurality” of Mia Brentano’s music, in refer- ence to her album Hidden Sea (see Fanfare 42:1). In the same issue, my colleague Jacquel- ine Kharouf came to similar conclusions: “With combined elements of jazz, classical, and Minimalist compositional styles, the musicContinue Reading